If, Literature, Politics

Modernism and the Finite Territory of the Avant-Garde

Free Photo: Woman Entertainer in a Wooden Egg Costume

(WARNING: This post ended up taking a very meandering path to its central argument, which appears after the jump. Against the assumption that a new avant-garde is always possible, the post considers whether each artistic form, including lyric poetry and narrative fiction, might exist in a kind of finite territory of formal possibilities — so that formal experimentation ultimately reaches a point of exhaustion. Finally, the post considers whether modernity itself, and its economic and political possibilities, might exist within a finite territory whose borders are already open to view.)

I recently learned that within the hopeless market for literature professors, the situation is even more dire for aspiring professors who specialize in Modernism — my favorite period in English literature, the period stretching from writers like Conrad, James, and Yeats through writers like Woolf, Joyce, Eliot, Stevens, Pound, and too many others to list: Williams, cummings, Moore, Faulkner…

Apparently there are few or no openings for teachers of Modernism in the entire United States in an average year. A search of the MLA Job Information List seems to confirm this picture, although there are a few positions that include Modernism within a broader job description.

Continue reading

If, Literature

An interview about If at SeattleWrote


The intrepid Norelle Done at SeattleWrote recently posted our interview about If. I feel like I’m finally getting a little better at describing what kind of book If tries to be — in a way that neither sets readers up for disappointment by making it sound more lighthearted-and-easy than it turns out to be, nor alienates readers by making it sound more experimental and challenging than it actually is. For example:

Q: In any case: why write a literary choose-your-own-path (or “choicefic,” or “gamebook”) novel?

A: Partly because it had never been done before. People have come close, but I wanted to write a piece of literature that’s as serious and literary as my favorite novels, while still using this format associated with children’s books. I’ve always been attracted to works of art that bring together the difficult and experimental with the simple and playful. Like the Velvet Underground and Sonic Youth, Andy Warhol, Laura Riding Jackson, Borges. There are all sorts of strange ways that punk and surrealism and the avant-garde intersect with children’s literature and music. If tries to belong to that tradition. Continue reading