If, Literature

Dendritic fiction: the structure of If

if graphviz kindle loc PNG

At long last, by popular demand, the graph above shows the structure of the chapters in If — using the “loc” (location) numbers from the Kindle edition, rather than the page numbers from the print edition. Click on the graph for a higher resolution, printable version.

A similar graph already appears at the beginning of the print edition, but with page numbers instead of loc numbers.

Continue reading

Standard
If, Literature

If, Modernism, and Metamodernism

Free Photo: Log Trestle

As the publication of If recedes in the rear view mirror, and I move on to some other projects, I find myself wondering whether I took the right approach to presenting the novel.

When I decided to write If, I had in mind two general models, both modernist: Hemingway’s attempt, in his earliest stories, to “write one story about each thing that I knew about,” and Joyce’s attempt in Portrait of the Artist as a Young Man to show the evolution of the character’s linguistic consciousness through the form of the novel. In If, it’s not so much the narrative voice as the genre and style of the novel that change in response to the protagonist’s development. I guess you could say that if the stylistic shifts in Portrait can be seen as reflecting how the protagonist might write (or, earlier on, think), the stylistic shifts in If often reflect what the protagonist at a given place in life might read.

None of the publicity materials for If mentioned either of these modernist models.

Continue reading

Standard
If, Literature

If (a novel) now available on Kindle

 

 

Print

For anyone who was curious about my experimental novel If but thought — can I really afford to spend $17 on an unfamiliar novel of ideas by an author who does not even exist? — Livingston Press is making If available on the Kindle for only $2.99 for a few weeks. Please take a look — and if you like the novel, consider writing a review.

As mentioned in earlier posts, If is a philosophical novel with a choice at the end of each chapter. It explores themes of freedom and constraint. I discussed it in an interview with Electric Literature earlier this month, and I’ll have more to say about it in a soon-to-be-published interview with the Seattle Wrote blog. In the words of the publisher:

In If, you are the nameless protagonist, a young dreamer from northern California. At the end of each chapter, you must make a decision, some seemingly frivolous, some traumatic, but all far from inconsequential. These decisions shape your identity as the novel swerves toward twenty-two possible endings. From the margins of starvation in a third world country, to a romance in Paris, to an opulent party in a Manhattan high-rise, your life becomes the unexpected result of the choices you make. Can there be too much freedom? And how much of life lies within our control?

 

Standard