Economics, Literature, Politics

This Must Be What Freedom Feels Like

In the waiting room of the hospital sits a gatekeeper. To this gatekeeper comes a man from the country who is in pain and seeks to gain entry to the hospital.

“Anyone may enter the hospital,” the gatekeeper tells the man. “All you need do is enter through the emergency door.” She gestures toward a wide, swinging door at the far end of the waiting room.

The man approaches the emergency door, then turns back. “How much will it cost to enter through this door?” he asks. The gatekeeper says that there is no way of knowing the cost before the man enters. She encourages him to enter for the sake of his health. “We can settle the cost afterward,” she smiles. “We are not barbarians, after all.”

The man returns to the gatekeeper’s desk and asks her if there is another way to enter the hospital. Continue reading

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If, Literature

Emily Short, interactive fiction, and If (a novel)

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When I finished writing If, a novel of ideas with a choice at the end of each chapter, I knew almost nothing about interactive fiction, other than that it existed and made a nice acronym. For anyone who shares my ignorance, “interactive fiction” does not refer to Choose Your Own Adventure-style novels with a choice at the end of every chapter. It refers to a thriving genre of often online text-based games where the player makes frequent choices by clicking on hyperlinks in the text. The hyperlinked choices may arrive every few sentences, or even every few words. After clicking on a link, new text appears based on the reader’s choices, leading to new choices, etc.

If you felt like it, you could go and write your own work of interactive fiction using Twine right now.

By contrast, novels with choices at the end of each section — like If, Kim Newman’s Life’s Lottery, and the Choose Your Own Adventure series — apparently aren’t usually called “interactive fiction” at all. As discussed in my interview with Joe Rositano, there’s no commonly accepted general term for this kind of work. Most people say “Choose Your Own Adventure novels,” even though that’s a trademarked term for a specific series of books. Rositano favors “choicefic.” Wikipedia uses the term “gamebook.”

So: I’ve never written a work of interactive fiction — and, to be honest, I still haven’t had a chance to finish reading one, either. But working on the publicity for If has made me increasingly aware of interactive fiction, which appears to be going through a kind of golden age right now. One of the leading writers (and organizers) responsible for that golden age is Emily Short, so I was delighted that she recently took the time to write a lengthy blog post on If.

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Literature

An interview about If at Electric Literature

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Here’s a link to the recently posted interview between me and the multitalented Joe Rositano at Electric Literature. We talk about If, the use of the term “choicefic” to describe books with branching narratives, skepticism, Burke, and what comes next.

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Literature

If (the novel) arrives

Well, it appears that my little experimental novel If is now available on Amazon.com.

Thanks to the great Joe Taylor at Livingston Press for giving this novel a shot, and for all his support behind the scenes. And a big thanks to JK at the The Kugelmass Episodes for invaluable comments on an earlier draft. Without the generosity of these two people, I don’t know where the novel would be today, if it existed at all. Also, thanks to our recently married friend (congratulations!) at mangolandia for the superlative blurb.

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As mentioned in earlier posts, the novel has an unusual structure — one that may be familiar to readers of Borges’ The Garden of Forking Paths, or to those who read a certain series of children’s books in the 1980s in which the reader makes a choice at the end of every chapter… If the threat of being sued for trademark infringement were not lurking in the background, I might even say that this novel is the world’s first literary ______ ____ ___ _________ novel (where the missing blanks might or might not be filled by a familiar series title).

Things being as they are, however, Continue reading

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