So here’s my third idea. On the one hand, it’s the first of my defenses that’s consistent with the usual sophisticated humanities scholar’s view that the aesthetic establishes its own values, that art is an end in itself, that “poetry makes nothing happen” (in Auden’s words) and shouldn’t be required to make anything happen — even wisdom or the broadening of the soul.
On the other hand, this defense is still likely to infuriate sophisticated humanities scholars, because it’s based on an appeal to national pride.
As is often the case, Helen Vendler got there before me:
In the future, will the United States be remembered with admiration? Will we be thanked for our stock market and its investors? For our wars and their consequences? … Future cultures will be grateful to us for many aspects of scientific discovery, and for our progress (such as it has been) toward more humane laws. … But science, the law, and even ethics are fields in motion, constantly surpassing themselves. To future generations our medicine will seem primitive, our laws backward, even our ethical convictions narrow.
The same cannot be said of our art.